THE AI MUSIC LAB BLOG

Research, not content.

Every post here comes out of real production work, tracks I've mastered, curator queues I've reviewed, and mistakes I've made with my own money. No recycled tips, no filler.

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Joshua Gilliland Joshua Gilliland

From Library Member to Mastering Customer in Three Weeks

Someone bought the membership in early August and came back three weeks later with a track to master. I can't tell you why, because I didn't ask. I can tell you what the structure was designed to do, and that this is it working in the drawn order.

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Joshua Gilliland Joshua Gilliland

Suno v6 Just Launched. The Real Story Isn't the New Model.

Suno launched three new models today. The headline everyone's writing is "faster, better, more control." The story underneath it is that Believe, a distributor that banned AI music in April, just reversed course for tracks made with this model.

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Joshua Gilliland Joshua Gilliland

What "Lifetime Membership" Actually Means

"Lifetime membership" usually gets defined after the sale, in a support email, when the thing you assumed was included turns out to be an add-on. This is the opposite move: the exact boundary of the deal, in public, above the buy button.

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Joshua Gilliland Joshua Gilliland

The Master Where I Did Almost Nothing

The best source I've mastered this month needed two EQ cuts smaller than a decibel and less than 1 LU of gain. There was also a cut I prepared, tested, and deliberately turned off. That decision is the whole post.

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Joshua Gilliland Joshua Gilliland

Your Song Isn't Finished. It's Just Done Generating.

There's a belief in AI music that mastering is a release formality, something you skip if the song is just for you. I think that gets the purpose of mastering exactly backwards. The songs you make for yourself deserve the most finishing, not the least.

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